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A Potomac Stages Pick for
intellectually stimulating and emotionally satisfying fare
Proof is known for its
success at making intellectually gifted people seem entirely human while it gets
the exhilaration of the pursuit of knowledge just right. Geniuses are people
too, with hopes, fears, loves and losses. This warm, fascinating and funny play
draws you into the personal world of intelligent people who are facing major
crises in their personal lives. Director Ali Miller and her cast of four
approach the material the only way that makes sense: trust it. They resist any
temptation to embellish or draw attention to themselves. Instead, they keep the
focus on the play as written. Not a bad approach when that play is a Pulitzer
Prize winner.
(Full
Review)
Catherine’s Proof
Proof is less a great play than a great opportunity
for actors to put together a memorable and satisfying evening of theater. The
slender plot revolves around the discovery of a complex and significant
mathematical proof locked in the desk drawer of Robert (Don Kenefick,) a
brilliant but long-demented mathematician, now dead. Did the dead scientist
write the proof? Or was his caretaker daughter Catherine (Katy Carkuff), bright
but undereducated and emotionally volatile, responsible for this fantastic
paper? David Auburn’s script lays the question down neatly among some other,
broader philosophical challenges, including the uncomfortable proximity of
genius and madness and the imperative nature of trust. (Full
Review)
Firebelly's Latest Shows Surprising Depth of Characters
Mention higher mathematics and most mediocre students and math-challenged adults
will wince and duck for cover.
So Firebelly Productions' latest play, David Auburn's Pulitzer-Prize-winning
“Proof,” comes as quite a pleasant surprise. More about relationships than math,
it's a witty, knowing look at mental fragility and dysfunctional family life. (Full
Review)
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