|
Nothing Sacred
Once in a great while, a
production can be of such high quality that it redeems a mediocre script.
Firebelly’s production of Nothing Sacred is not one of those instances. However,
it presents a few terrific performances which ought to provide us with good
cheer.
(Full
Review)
Latest from Firebelly Effectively
Melds Comedy, Drama
When I'm toodling down the highway and see someone
do something incredibly, moronically stupid in traffic, I always take a breath
before going ballistic, and look at the license plate of the offender.
“Ah, it's OK,” I'll say softly. “They're from Maryland - that explains it.
They're all nuts over there.”
When it comes to theater reviewing, there's a corollary. When a playwright pens
a work that is essentially indescribable - at various times charming, caustic,
witty and maddening - I look down at the bio. “Ah, he's Canadian - that explains
it!” (Full
Review)
Nothing
Sacred
Firebelly Productions takes on George F. Walker’s Nothing Sacred, an adaptation
of Ivan Turgenev’s novel from 1862. Walker, Canadian taxi driver turned
incendiary playwright, is not one to be pigeonholed, and nothing bespeaks this
fact like the current offering, a tragi-comic Russian study of generation gaps
and social revolution. (Full
Review)
A
Russian classic inspired a contemporary Canadian playwright
This is not your typical stage adaptation of a novel. Highly successful, often
produced Canadian playwright George F. Walker took the characters from what is
often cited as the first modern Russian novel, Ivan Turgenev's 1862 Fathers and
Sons, and built his own play. He starts just where Turgenev began, but he ends
miles away with the lives of the characters having taken different paths. The
result is a play quite appropriate for Firebelly as they pursue their mission of
giving younger, less experienced cast members a chance to sink their teeth into
challenging roles in a supportive environment. (Full
Review)
Russia Via Canada Makes Easy Watching
Canadian playwright George F. Walker did more than just translate Ivan
Turgenev's "Fathers and Sons" when he created his stage play drawing from that
famous 1862 novel. Using modern stage techniques and distinctly modern language
to make the characters as accessible as possible for modern audiences, he
created something very different than the original 250-page tome. (Full
Review)
|